LaTalpa ci segnala, da una sua incursione oltre frontiera, sotto copertura:
International Comics and Graphic Novel
and
International Bande Dessinée Society
Joint Conference
Glasgow and Dundee
June 24-28 2013
Monday 24 June 2013
10.00 – 12.30 Old Registry
Registration
12.30 – 12.45 Humanity Theatre
Opening Welcome
Murray Pittock, Head of the College of Arts, University of Glasgow
12.45 – 14.45 Session 1 – Keynote Lectures
Humanity Theatre
|
Keynote Lectures
|
|
Grant Morrison Scottish Comics
|
|
Sir Kenneth Calman Medical Cartoons and Caricatures
|
14.45 – 15.15 Break
15.15 – 16.15 Session 2 – Scotland and the Birth of Comics
Humanity Theatre
|
Scotland and the Birth of Comics
|
|
Roger Sabin (University of the Arts, London) The Birth of Comics Criticism |
|
Laurence Grove (University of Glasgow) Scotland and the Birth of Comics: The Exhibition |
16.15 – 17.45
Book Exhibition: Henry Heaney Room
Special Collections Department, Glasgow University Library
18.00 – 20.00
Reception in the Hunterian Art Gallery
Welcome from:
Anton Muscatelli, Principal and Vice-Chancellor, University of Glasgow
David Gaimster, Director, Hunterian Museum and Art Gallery
Tuesday 25 June 2013
The Graphic Novel
Wolfson Building
9.00 – 11.00 Session 3 – Parallel Panels
|
Yudowitz Room |
Fraser Room |
Gannochy Room |
|
Women and Comics
|
Scotland and Comics
|
Digital Comics
|
|
Nicola Streeten (Author and Independent Scholar, London) From ‘Wimmen’ to ‘Grrrls’ to ‘Laydeez do comics’ – The Tradition of Feminist Activism in Comics since the 1970’s and the Influence on Current British Comics |
John McShane (Independent Scholar, Glasgow)
Forgotten History – The Glasgow Looking Glass |
Tassos A. Kaplanis (University of Cyprus)
Digital Comics by University Students: Enhancing Multiliteracy, Knowledge Transfer and Creativity |
|
Sarah Lightman (University of Glasgow)
Jewish Women and Graphic Memoir: Visualising the Silenced |
Damon Herd (University of Dundee) The Parsimonious Cartoonist: Scottish Identity and the Autobiographical Comics of Eddie Campbell |
Kat Sicard (University of Edinburgh) Digital Adaptability of Nontraditional Narratives In Comics: A case Study of Jason Shiga’s Meanwhile |
|
Aline de Alvarenga Zouvi (Estate University of Campinas)
Critically Reading Alison Bechdel
|
Marc Singer (Howard University) Morrison in Glasgow: Local Color for a Global Audience
|
Alexandra Ntouvli (University of Edinburgh)
Webcomics as Cultural Signifiers of the Digimodernist Paradigm |
| Lindsay Davies |
(New York University)
Bookishly Visual and Poignantly Graphic: Alison Bechdel’s Literary Comics
Scott McDonald
(University of Saint Andrews)
God is Dead, Superman Lives: Grant Morrison, Enchantment, and the
Superhero Universe
Daniel Merlin Goodbrey
(University of Hertfordshire)
Game Comics: An Analysis of An Emergent Hybrid Form
11.00 – 11.30 Break
11.30 – 13.00 Session 4 – Parallel Panels
|
Yudowitz Room |
Fraser Room |
Gannochy Room |
|
How Comics Function: Telling Time
|
Illness / Trauma
|
Reproducing the Everyday
|
|
Joe Sutliff Sanders (Kansas State University) Chaperoning Words: Meaning-Making in Comics and Picture Books
|
Anna Girling (University of Edinburgh)
Epilepsy as Illness, Blindness as Metaphor: Epileptic and Mis(sing) Representation |
Frank Bramlett (Stockholm University)
A Continuum of the Quotidian: How All Comics Reflect the Everyday |
|
Julia Round (University of Bournemouth) Gothic Comics and the Excess of Perspective
|
Harriet E.H. Earle (Keele University)
Traumatic Analepsis and Ligne Claire in G.B. Tran’s Vietnamerica |
Grace Schneider (Universidade Federal de Sergipe)
Is Boredom to Comics What Ennui is to Bande Dessinée?
|
|
|
Andrew Godfrey (University of Dundee)
The Death Rattle Is the Same in any Language: A Transnational Exploration of Trauma and Loss in the Comic Medium
|
Ian Hague (University of Chichester)
‘I do Love the Smell of that Old Newsprint’: Smell and Nostalgia in Comics
|
13.00 – 14.00 Lunch
14.00-16.00 Session 5 – Parallel Panels
|
Yudowitz Room |
Fraser Room |
Gannochy Room |
|
Pop Culture and Consumerism
|
Artists
|
Politics
|
|
Joan Ormrod (Manchester Metropolitan University)
The Case of the Curious Speech Bubbles: The Global Roots of 1950s UK Romance Comics
|
Jonathan Walker (University of Glasgow) The Influence of Comic Books on Five Wounds: An Illuminated Novel |
Iro Filippaki (University of Glasgow)
‘The Seeds of Ruin’: Rethinking the Traditional Body in V for Vendetta |
|
Nina Mickwitz (University of East Anglia)
‘Mister Dentist – I’m so Alone’: Comic Strips Advertising Toothpaste in the 1950s
|
Tasos Anastasiades (European University Cyprus)
The Creation of Fascista
|
Francisco O.D. Veloso (Hong Kong Polytechnic University)
Marvel’s Civil War and the Patriot Act: A Socio-Semiotic investigation
|
|
Ronan Deazle (University of Glasgow)
Copyright and Writing about Comics: A Critique/Manifesto
|
North America and National Histories
|
David Miranda-Barreiro (Bangor University)
Daniel Rodríguez Castelao: From Author to Comic Book Character |
|
Ian Gordon (National University of Singapore)
National and International Histories of Comics
|
||
|
|
Robert Beerbohm (Independent Scholar, San Francisco) An Early History of USA Comic Strips and Books
|
|
16.30 – 19.00
Laydeez Do Comics
CCA Centre for Contemporary Arts
350 Sauchiehall Street, G2 3JD Glasgow
Subway: Cowcaddens
Guests:
Kate Charlesworth Cartoonist, illustrator and writer www.katecharlesworth.com
Gillian Hatcher Cartoonist, illustrator and Editor of Team Girl Comic
Hattie Kennedy PhD Researcher, Edinburgh University on Québécois Bande Dessinée
http://www.cst.ed.ac.uk/ Postgraduate/CurrentGraduates-HarrietKennedy.htm
Nicola Streeten Illustrator and author of Billy, Me & You www.streetenillustration.com
Sarah Lightman PhD Researcher, University of Glasgow on Autobiography and Comics, artist and co- curator of “Graphic Details: Confessional Comics by Jewish Women” http://sarahlightman.com
19.00
Reception at the City Chambers
George Square, Glasgow
Subway: Buchannan Street
Wednesday 26 June 2013
Excursion: Dundee and D.C. Thomson
Coaches will leave the Main Gate of the University at 9.00
The Outgoing Journey will Take in the Lochs and Castles of the Trossachs
11.00
Welcome
Chris Murray
11.15
D.C. Thomson’s place in comics history
Chris Murray and morris heggie
12.00
lunch
13.00
Exhibition Launch and Gallery Talk
14.00 A professional Body for Comics Studies?
Group discussion / planning meeting
15.30 Dee Cap – Comics and performance
Damon Herd
16.30
Wine Reception
Dinner in Dundee then Return by Coach in the Evening
Thursday 27 June 2013
Bande Dessinée, Europe and Beyond
Wolfson Building
9.00-11.00 Session 6 – Parallel Panels
|
Yudowitz Room |
Fraser Room |
Gannochy Room |
|
Japanese Comics and Manga
|
Latin American Identity
|
Adaptation
|
|
Paul Gravett (Author and Independent Scholar, London)
Lingua Comica: Cross-Cultural Comics Exchanges Between Asia and Europe
|
Matt Yockey (University of Toledo)
Action Time Vision: Reimagining the Nation in Jaime Hernandez’s Love and Rockets |
Guillaume Lecomte (University of Glasgow)
The League of Extraordinary Gentlemen: Adapting Cultural Heritage to Hollywood
|
|
Shari Sabeti (University of Stirling)
‘Manga Shakespeare?’ – A Case Study of a Comic Book which ‘Crosses Borders’
|
Ana Merino (University of Iowa)
Indigenous ‘Identities’ in the Latin American Space of Comics |
Armelle Blin-Rolland (Sheffield Hallam University)
Adapting the Myth of the Boy Who Never Grew Up into Bande Dessinée: Régis Loisel’s Peter Pan |
|
Casey Brienza (University of Central London)
Licensed to Produce Japanese Manga in America: How Negotiating IP Rights Constrains Global Cultural Flow
|
Québec |
Catriona MacLeod (University of London Institute in Paris) Adèle est la bête: Monstrous Women in Bande Dessinée |
|
Dominic Hardy (Université du Québec à Montréal)
‘En Voilà encore de bonnes!’: Early Printed Caricature and Graphic Satire in Québec before 1850
|
||
|
Ulrich Heinze (Sainsbury Institute Norwich)
Otaku and Hikikomori in Japanese Manga
|
Harriet Kennedy (University of Edinburgh)
Québécois Bande Dessinée – A Quiet Revolution? |
|
11.00 – 11.30 Break
11.30 – 13.00 Session 7 – Parallel Panels
|
Yudowitz Room |
Fraser Room |
Gannochy Room |
|
Classic BD
|
Theories of Origin
|
Space: Urban and Rural Environments
|
|
Geoff Woollen (University of Glasgow)
Crimes of lèse-Moulinsart and Other Misdemeanours |
Hannah Miodrag (University of Leicester)
Origins and Definitions: Arguments for a Non-Essentialist Approach |
Virginia Luzón and Quim Puig (Universitat Autònoma de Barcelona)
Sacha’s Kaleidoscope – Metalanguage, Urban Environments and Social Relations in Charles Berberian’s Sacha
|
|
Steve Gerrard (University of Wales)
Herge’s Adventures of Tintin: The Case of the Extraordinary Everyman |
Chris O’Neill (Aston University)
The Origins of Physiognomy in the Birth of Bande Dessinée
|
Renata Pascoal (Independent Scholar, Coimbra)
Russian Architecture in Comics: A Comparitive Study between Russian and Francophone Authors
|
|
Matthew Screech (Manchester Metropolitan University)
Fred in Wonderland: Carrollian Nonsense Effects in Philémon
|
Jesse Prevoo (KU Leuven) Where does it all start? |
Rikke Platz Cortsen (University of Southern Denmark) In the Deep, Dark Woods: The Forest as Place in Contemporary Nordic Comics |
13.00 – 1400 Lunch
14.00 – 15.30 Session 8 – Parallel Panels
|
Yudowitz Room |
Fraser Room |
Gannochy Room |
|
How Narrative Functions
|
Italy
|
Wartime and its Atrocities |
|
Simon Grennan (University of Chester)
From Time to Time: The Untold Stories of Depictive Drawings
|
Silvia Magistrali (Fondazione Corriere della Sera)
Corriere dei Piccoli and Linus: The Pioneers of Sequential Art in Italy
|
Laurike in ‘t Veld (University of Chichester)
From Maus to Medz Yeghern: Exploring a New Genre |
|
K.A. Laity (College of Saint Rose, Albany)
What It Ain’t: Bucking Tradition in Lynda Barry’s One! Hundred! Demons!
|
Barbara Uhlig (University of Munich)
The Development of the Line as a Distinct Languages in Italian Comics |
Clare Tufts (Duke University)
Through the Eyes of the Child: The Visual Perception of War in Satrapi’s Persepolis (volume 1) and Abirached’s Le Jeu des hirondelles
|
|
Gert Meesters (Université Lille 3)
Taking Apart the Narrative Machine: Spirou as an Illustration of the Dialectics between Author and Invisible Hand in Diachronic Comics Stylistics
|
Alex Valente (University of East Anglia)
Translating Humour in Comics, from Italian to English to Italian |
Robert Shail (University of Wales)
Negotiating National Stereotypes: Redefining the ‘British’ War Hero in Battle Comics
|
15.30 – 1600 Break
16.00 – 18.00 Session 9 – Parallel Panels
|
Yudowitz Room |
Fraser Room |
Gannochy Room |
|
Ethnicity and Identity |
Connecting with the Past
|
Turkey
|
|
Christina Dokou (University of Athens)
‘We Are Such Stuff…’: Imagi(ni)ng Ethnicity through Thing Theory in Two Balkan-themed Graphic Novels” |
Zanne Lyttle (University of Glasgow)
Comic Books as Religion: How Superheroes Connect Ancient and Contemporary Beliefs
|
Betül Ateşci Koçak (University of Salamanca)
A Turkish Hero by DC Comics: The Janissary and its Political Reading |
|
Charlotte Pylyser (KU Leuven) Jeroen Janssen and Pieter van Oudheusden’s Graphic Novel Bakamé’s Revenge is False, but Barely Exaggerated |
Pedro Germano Leal (University of Glasgow)
From Hieroglyphs to Graphic Novels: A Grammatological Theory for Image-Text Interactions
|
Kenan Koçak (University of Glasgow)
Censorship and Banning of Comics: A Look at the Last Decade in Turkey |
|
Lisa Tannahill & Peter Davies (University of Glasgow)
Battling Bécassine: Heroine or Stooge?
|
Louisa Buck (Brighton University)
The History of an Image: Nihil novi sub sole
|
Pınar Aslan (University of Salamanca)
The Headscarf in Turkish Comics: Büsra and Others |
|
|
|
Emel Zorluoglu (University of Sussex)
Being the ‘Bad Girl’: Gender Identity in Ramize Erer’s Cartoons
|
20.00
Conference Dinner at the Ubiquitous Chip
Friday 28 June 2013
Alliance Française de Glasgow
10.00 – 13.00 Session 10 – Keynote Lectures
Grand Salon
|
Keynote Lectures
|
|
Tanitoc Contributor to OuBaPo, author of Amstergow en 8 jours (Humanoïdes Associés)
|
|
Nicola Witko Member of Les Requins Marteaux, author of forthcoming Ghost Run, set in Scotland
|
|
Jean-Yves Ferri Author of forthcoming Astérix chez les Pictes (Éditions Albert-René)
|
13.00 – 1400 Lunch
14.00 – 15.00
General Meeting, International Bande Dessinée Society
Director, Stirling Maxwell CentreUniversity of Glasgow
00 44 141 / 0141 330 6350
00 44 141 / 0141 330 4583
Stirling Maxwell Centre for the Study of Text/Image Cultures:
www.gla.ac.uk/schools/mlc/research/thestirlingmaxwellcentre/
International Bande Dessinée Society:
www.arts.gla.ac.uk/ibds
European Comic Art:
http://journals.berghahnbooks.com/eca/